By M. Keith Booker
At a time whilst image novels have accelerated past their fan cults to develop into mainstream bestsellers and resources for Hollywood leisure, Encyclopedia of comedian Books and picture Novels serves as an exhaustive exploration of the genre's historical past, its landmark creators and creations, and its profound impact on American lifestyles and tradition.
Encyclopedia of comedian Books and picture Novels makes a speciality of English-language comics—plus a small number of influential jap and ecu works to be had in English—with targeted emphasis at the new picture novel layout that emerged within the Seventies. Entries hide influential comedian artists and writers reminiscent of Will Eisner, Alan Moore, and provide Morrison, significant genres and subject matters, and particular characters, comedian booklet imprints, and landmark titles, together with the pulp noir a hundred Bullets, the post-apocalyptic Y: The final guy, the revisionist superhero drama, identification drawback, and extra. Key franchises resembling Superman and Batman are the guts of a constellation of comparable entries that come with picture novels and different imprints that includes an analogous characters or fabric.
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Extra info for Encyclopedia of Comic Books and Graphic Novels, Volumes 1-2
Delany (Empire 1978) and Michael Moorcock (The Swords of Heaven, The plants of Hell 1979). Chaykin back to comics in 1983 with the groundbreaking technology ﬁction satire for which he continues to be top recognized, American Flagg! right here, some of the interrelated topics and motifs that represent Chaykin’s mature paintings ﬁrst come into concentration: the quest for authenticity in an more and more digital international, an ambivalence in regards to the ways that mass tradition shapes (or warps) the mind's eye, a deep mistrust of political authority, and an emphasis on sexuality as a necessary component to human nature. with a purpose to exhibit his imaginative and prescient of a futuristic usa whose electorate were deserted via its elites and numbed into complacency via a continuing barrage of puerile leisure, Chaykin constructed a worldly artwork variety that favorite dense, multi-tiered web page layouts and that, with the help of letterer Ken Bruzenak, made ads, marquees, and sound eﬀects a vital part of the web page layout. The luck of yank Flagg! allowed Chaykin to pursue own and experimental tasks. those integrated the Time2 picture novels for First Comics (Time2: The Epiphany 1986, and Time2: The delight of Black Mariah 1987), set in a seedy retro-futuristic underworld of jazz, gangsters, and the automatically “reincarnamated” ninety five 96 urban OF GLASS residing useless, and Black Kiss (Vortex 1988), a gleefully wicked story of intercourse, horror, and Hollywood. The Eighties additionally observed Chaykin oﬀer iconoclastic takes on recognized characters resembling Blackhawk (DC 1987) and The Shadow (DC 1986). After this intensely proliﬁc interval, Chaykin became his attentions to Hollywood, writing for tv indicates together with The Flash and Viper. With a number of exceptions— resembling energy and Glory (Malibu 1994), a comic book experience miniseries in regards to the hollowness of inexpensive patriotism and the superhero ideal—Chaykin did little paintings in comics as an artist in this time. He persisted to paintings as a author, notwithstanding, together with numerous collaborations with David Tischman. so much amazing of those is American Century (DC/Vertigo 2001–3), a hugely acclaimed exploration of the seamy underside of the ostensibly sunny Fifties. Chaykin lower back as either artist and author with sequence akin to Challengers of the Unknown (DC 2004), a scathing satire of reactionary right-wing politics and the superﬁcial, sensationalistic information media, and town of day after today (DC/Wildstorm 2005), a technology ﬁction/crime tale that shows Chaykin’s persisted curiosity within the hazy contrast among simulation and fact. Chaykin has maintained a excessive proﬁle within the comics lately, operating for self sustaining publishers in addition to for surprise and DC. Brannon Costello urban OF GLASS. Paul Karasik and David Mazzucchelli collaborated with novelist Paul Auster to conform Auster’s 1985 prose novel, urban of Glass, and produced this groundbreaking photo novel, initially released by way of Avon Books in 1994 as Neon Lit: Paul Auster’s urban of Glass. “Neon Lit,” edited via artwork Spiegelman, was once to be a chain of comics-format diversifications of up to date ﬁction; regrettably, urban of Glass was once certainly one of basically titles accomplished (the different was once Barry Giﬀord’s Perdita Durango).