By Graeme Gibson
First released by means of Anansi in 1969, Five Legs was once a leap forward for Canadian experimental fiction, promoting 1,000 copies in its first week. on the time Scott Symons wrote that "Five Legs has stronger writing in it, web page for web page, than the other younger Canadian novel that i will be able to imagine of." Or certainly any younger American novel — together with Pynchon and Farina.
Five Legs is the subversive story of 2 guilt-ridden younger males, Lucan Crackell and Felix Oswald — one a professor, the opposite his pupil — stuck within the grip of the North American Protestant ethic, with its emotional web-spinning and sexual torments. Gibson captures either their mortifications and their lively resistance to all issues WASP, themselves incorporated, in stream-of-consciousness prose that's immediately fluid, disjointed, and hilarious. crucial examining for any Canlit junkie, and fairly a visit. This version contains a new creation by way of Sean Kane.
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Additional info for Five Legs (A List)
Awful iciness, awful fucking soaker for chrissakes! Stamping and leaping. Shit. Don’t are looking to yet, i need to. Already amassed there by way of oh, extra steps, the double starting doorways so ahead, don’t are looking to definite, yet ahead. needs to be, can’t. quickly, flip and speeding, watch those new vehicles on the gate, impressive in brief, then off like a rabbit and breaking new floor. Off their street and away in the course of the snow, now not a music forward and up this hill, the voices down lower than. Hah! A moose, thigh-deep and lurching, proud, that’s it a moose! Piss on soakers, their cries at the back of. hiya (what’s his identify? ), good day you! Grunting as much as those bushes on the best, up up and away! I’m nearly there. good day Oswald. come again again, whats up! We can’t hold him all via ourselves, get back! Nimbly now at the crest and one of the pines, turning powerful my proud determine, above; and bunching down there by means of the line, the greedy fingers, I pause. For breath, deep breath and shaking my head, shrink back. Now trotting simply upon the frozen crust, among the stones I skim and listen to their trailing voices out in the back of and to hell. With them, I’ll express. via branches pursued by means of branches, published from heavy snow, sighing they upward thrust in the back of me as I run, falter, tire. Do I tire? And where’s a course for, is there, has to be one for the goddamn snow impedes me now and I’ve performed it definite, can’t cease operating for . . . Gasping for air simply prior to their dog-like cries with snow approximately my legs like lead, my chest for breath and cries, they’ve acquired me, staring again to determine darkish shapes that extend oh Christ they’ve . . . express ’em, i'll. So? Wide-eyed and staring echoes; so? Anything’s higher than. His coffin. Bracing, moving to sway with its weight, their steps extra convinced and without doubt to the stairs. Anything’s larger than this, he may need. perhaps he’d . . . Shit as they nip on the heels, simply as their laughter reaches to haul me down, simply then the outside, it holds! I’m on best of I dart on forward, my stride and lean this disappearing determine within the white. Waist-deep at the back of in snow, first time, the voice turns again upon itself careworn. focus that’s, cautious to the door. What’s this, one other chapel, what? unfortunately smiling guy, he’s brushing, at my ft for Christ sake! can we need to do it back? a brush, bristles in regards to the ankles, “That’s it. Don’t are looking to be traipsing in there with mucky toes, can we? ” Please don’t throw. Undertaker’s understrapper whereas flapping black, one other leans closely, polished in streaks, the drops; a 3rd, its chilly with swiftly palms is watching my beard. His commencing mouth is red. Why can’t we simply bury him? “Okay fellahs, simply positioned her down over there. ” One hand gestures to the nook, darts again to the opposite twitching on his vest. “On the computer. ” Rubrub the dry pores and skin rustling as we lurch back of their voices. “Care-ful! ” speedy throughout. “Careful fellahs. ” “Oh. ” “Careful. ” Bells and flowrets opposed to the crimson textile; lilies and issues, all white and crimson and tight alongside the wall, their cloying stench approximately us (straps and chrome less than me) and someone’s grunting, we bend and liberate, what’s that?