A set of essays by means of many exclusive individuals, excited about the portrayal of insurgent girls in historic Greek drama
Greek drama presents the fashionable level with a number of robust female
characters who stand towards the patriarchal constructions that
seek to restrict and outline them. for modern theatre administrators their
representation serves as a automobile for interpreting and illuminating
issues of gender, strength, kin and morality, as germane this day as when
the performs have been first written.
Rebel ladies brings together
essays via prime writers from throughout various disciplines examining
the illustration of historic Greek heroines of their unique contexts
and on latest level. Divided into 3 sections, it considers in turn
international productions, Irish models, and reports of the original
texts. The articles discover how such characters as Iphigenia, Medea,
Antigone and Clytemnestra were portrayed lately and the
challenges and provocation they give to either modern audiences
and dramatists alike.
'Seamus Heaney and Athol Fugard are brought
together as participants by means of the foundation that historic Greek tragedy
has provided to them either. There are choices right here on Iphigenia, Medea,
Antigone, Clytemnestra, movie, drama, Greece, Russia ... and especially
Ireland. Amidst all this type, the extent of curiosity and of
scholarship are constantly high.' Oliver Taplin, Professor of
Classical Languages and Literature, Oxford college
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Extra info for Rebel Women: Staging Ancient Greek Drama Today (Plays and Playwrights)
Macintosh, 'Introduction', in corridor et al. (eds), 'Medea' in functionality, pp. 7-31. Ibid. , pp. 12-14. stated by way of Elizabeth Sprigge, Sybil Thorndike Casson (London: Gollancz, 1971), p. 186. seventy seven 4. Lysistrata Joins the Soviet Revolution: Aristophanes as Engaged Theatre Marina Kotzamani Aristophanes' Lysistrata is the insurgent w o m a n par excellence o f classical Greek drama. The heroine's intervention to prevent the Peloponnesian w a r among the Athenians and the Spartans is a rebellious act of progressive value. Lysistrata effectively organises and leads an excellent renowned mobilisation, w h i c h is i n truth a women's m o b i l i s a t i o n . A ideally suited political strategist, the comedian heroine is valuable i n forcing the lads to finish the w a r by way of rallying help f r o m w o m e n everywhere Greece. Lysistrata's strain strategies o n the boys are boldly unique. The w o m e n w i t h h o l d intercourse f r o m males u n t i l they finish peace. furthermore, they occupy the Acropolis, to avoid males f r o m acquiring funds for the w a r f r o m the treasury. via settling on the Acropolis because the web site o f their protest they transgress o n a historically male area, emblematic of Athenian democracy. the new w a r of the united states opposed to Iraq has highlighted the importance of Lysistrata as a vintage: an open-ended w o r ok that may be formed to reply to cultural issues geography. As half o f the Lysistrata throughout time and undertaking, over 1,000 readings of the play have been organised i n fifty-nine international locations round the w o r l d o n three M a r c h 2003, to protest the conflict that used to be then coming near near. certainly, regardless of the that means of the play i n antiquity, the women's uprising has exerted powerful fascination o n smooth audiences. Lysistrata is through a ways the preferred Aristophanic play i n the degree historical past of A t t i c comedy because the 19th century. O n the ideological point, a extraordinary function o f smooth productions is they have tended to concentration completely both o n the sexual or seventy eight LYSISTRATA JOINS THE SOVIET REVOLUTION o n the political i m p o r t of the women's uprising. hence, we will basically distinguish among sexual and political interpretations o f the play. W h i l e this present day i t is unproblematic that w o m e n could have a powerful curiosity i n b o t h intercourse and that i n momentous social concerns corresponding to w a r , this used to be under no circumstances the case ahead of the second one W o r l d W a r . Interpretations focusing o n the strike, comparable to M a u r i c e Donnay's infamous Belle Epoque model (1892), undermine the profession of the Acropolis and use the play as a springboard for the exploration of woman sexuality. 1 against this, interpretations emphasising women's problem to finish the struggle, similar to Laurence Housman's feminist model (1910), d o w n p l a y the sexual aspect and exhibit women's flair for politics. might be Lysistrata the such a lot extraordinary political 2 interpretation of i n the 20 th century was once a Soviet p r o d u c t i o n directed via Nemirovich-Danchenko for the M o s c o w A r t Theatre's M u s i c a l Studio i n 1923.